黄义洺 首饰设计 本预

I was born in Altay, Xinjiang Province. I study painting and major in jewellery. Most of my works are combined with drawing skills to express people's emotions, social resonance and national belief. Most of my concepts are from my perspective and then combined with wilder public perspectives. 

I have learnt art for many years, but before I did the foundation in AIVA, I only expressed my ideas with paper and pen. After I focused on jewellery design, I realised that design is related to the concept behind it. The concept contains everything in the design process, such as the reason of the material selection, the meaning of the design concept, the decision of making the design wearable or unwearable and etc. Making jewellery is like bringing a personal story to the public and letting the public know the emotions. Compared with other art forms, jewellery also comes with more impact, more concrete and more comprehensive, because jewellery is a real thing, an object that you can really feel and touch. 

My first artwork is called <Rap City>; my second artwork is an unwearable conceptual jewellery, while my final project is about Xinjiang national jewellery. I used painting as a media for most of my works to express my inspiration, but jewellery design is more about making. I believe that only when you know what kind of art form you want to combine with during making the jewellery can you make great jewellery designs. Jewellery design is not just about beauty and ugliness, it depends more on the author's creativity and the public resonance. The above is my rough understanding of the jewellery design.

                                                                                                                       

我出生于新疆阿勒泰,学习过绘画再从事首饰设计。作品风格大多与绘画结合,以表达人的情感,社会的共鸣,民族的信仰等。我创作的概念,大多是用自己的角度出发再与大众的理念结合。

我接触艺术许多年,但在来AIVA之前我都是用纸和笔的形式来表达自己的创作。但转向首饰后我意识到设计是依附于概念的。这个概念包含了所有设计的过程,比如选用材料的原因,设计概念的意义和是否要做可佩戴首饰的决定等。做首饰像是把一个自己的故事带给大众,让大众了解私人的情感、想要表达的故事。相比其他的艺术形式,首饰也来的更有冲击力、更具体、更全面;因为首饰是能真真切切感受到、触摸到的物品。

我的第一部作品叫做《说唱城市》;第二个项目作品是不可佩戴的概念首饰;最后一个独立的项目是新疆民族首饰。我的大部分作品都使用了绘画作为一种媒介去表达我的灵感,但首饰设计更注重制作。我认为,只有知道你在做珠宝设计项目时想要结合什么样的艺术形式,你才能制作出好的珠宝。珠宝设计不仅仅是美或丑,它在很大程度上取决于作者的创造力和公众的共鸣。以上是我对珠宝设计的粗略理解。

 

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